For the record: Avett Brothers and Mumford & Sons

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Records are rated on a scale of one (awful) to four (classic) stars

The Avett Brothers 'The Carpenter' (Universal Republic)

3 stars = Good
Ratings explained

Mumford & Sons 'Babel' (Glassnote)

3 stars = Good
Ratings explained

The two bands shared the stage, along with that guy Dylan, at the Grammys in early 2011, and one of them came out of it with a huge post-show bounce.

It wasn't the Avett Brothers.

The veteran North Carolina bluegrass/punk band, known for tearing it up live, took a more nuanced approach while British upstarts Mumford & Sons ramped it up and chewed the scenery with "The Cave." A week later, its 2009 debut, "Sigh No More," shot to No. 2 on the album charts, 14 points higher than the Avetts went with their brilliant sixth album "I And Love and You."

Now, the two bands have released their follow-ups just weeks apart, and if you're looking for rousing anthems and barnstorming banjo jams you're going to want to look across the pond.

The Avett Brothers, under the helm of Rick Rubin for a second time, have polished the rough edges once again in service of a more elegant pop sound, while Mumford & Sons are playing like they have stadiums in their sights.

The growling, howling Marcus Mumford surely has studied Bono and Win Butler (Arcade Fire) closely, mastering that grand gesture and sounding at any moment like he's ready to blow. As the title suggests, he's studied his Bible, too, as there's an Old Testament scale to his teeth-clenched fury.

Some of these lyrics actually sound like they were lifted from the good book: "Should you shake my ash to the wind/Lord forget all of my sins/Oh let me die where I lie/'Neath the curse of my lovers' eyes."

The Avetts, having grown up on a Southern farm, are no strangers to religious imagery and mortal matters. The opening track "Once and Future Carpenter" has Scott Avett singing, "Forever I will move like the world that turns beneath me/And when I lose my direction I'll look up to the sky/And when the black cloak drags upon the ground/I'll be ready to surrender, and remember/Well we're all in this together/If I live the life I'm given, I won't be scared to die."

Those lofty lyrics aside, the Avetts tend to write and sing on a more intimate human scale, while also being more musically curious, from the doo-wop harmonies on "I Never Knew You" to the hard rock of "Paul Newman vs. The Demons," with a rare appearance of electric guitar. At times, when the strings get syrupy, like on Seth Avetts' "Through My Prayers," it delves a little too much into easy listening.

But the Avetts have that talent for being rowdy hillbillies one minute and disarmingly, plain-spokenly beautiful the next, as on Scott's love song to his baby daughter, "A Fathers First Spring," when he sings, "I never lived till I lived in your light/And my heart never beat like it does at the sight/Of you baby blue God blessed your life."

The Mumfords have less mileage and fewer gears, staying in a similar up-tempo vein of fist-pumping folk-rock that won't fail to rouse their following. Conversely, the Avetts, while offering a richer experience, might disappoint theirs by not hooting and hollering.

-- Scott Mervis


Green Day, "¡Uno!": Step one in Green Day's long-winded answer to the question of what's next after two rock operas in a row might take a couple of listens to warm up to. Scaled down in comparison to "American Idiot" and "21st Century Breakdown," "¡Uno!" is the most unassuming Green Day album yet. There is no obvious breakthrough single present, no instantly adoptable anthems, and no truly audacious stylistic experiments aside from the uneven "Kill the DJ," a dub echo-soaked, Clash-channeling dance track that at fewer than four minutes nevertheless feels unnaturally overlong. (AJ Ramirez,

Lupe Fiasco, "Food and Liquor II: The Great American Rap Album Pt. 1": The Chicago MC's latest proves to be a fine collection of a thinking man's idea of hip-hop.

No Doubt, "Push and Shove": Gwen Stefani puts her solo career aside to join the SoCal ska-punk band's first album since 2001.

• John Hiatt, "Mystic Pinball": The gritty singer-songwriter's 21st album was recorded with his touring band, the Combo.

Suzanne Vega, "Close-Up Vol. 4, Songs of Family": Stripped down arrangements from her back catalog.

As I Lay Dying, "Awakened": Sixth studio album by San Diego metalcore band was produced by Bill Stevenson (Black Flag, Descendents).

-- PG staff and


First Published September 27, 2012 4:00 AM


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