HOWLAND TOWNSHIP, Ohio — The Associated Artists of Pittsburgh Annual Exhibition is being held farther afield than usual, but the upside is the opportunity to visit along the way one of the region’s cultural gems, the Butler Institute of American Art in Youngstown.
The museum’s Trumbull Branch, just east of Warren and about 15 miles north of Youngstown, is hosting the Annual in its clean-lined, sunlit gallery. Also of interest there is the permanently installed Pierre Soulages tile mural, “14 May 1968,” that was commissioned for the lobby of One Oliver Plaza, Downtown Pittsburgh, and removed when the building was renovated in 2009.
Sixty-eight works by 63 artists were selected for this 104th Annual by juror Louis Zona, executive director of The Butler. The overall exhibition is not as strong as I would like, but there are fine individual pieces that reward a trip.
Painting stands out as a medium, in David Stanger’s exquisitely rendered oils “Susheela” and “Window at Night,” infused with humanity made more seductive by their underlying tenuousness; the vibrant, motion-filled abstracts of Ron Bayuzick (“Wabi-Sabi Reflect”) and Scott Hunter (“Chessbriar IV”); Benjamin Thomas’ starkly contemporary (with a luminist quality) “Between Fog and Morning;” and consummate watercolorist Robert Bowden’s representational, almost to abstraction, row of everyday tools of “In the Kitchen.”
Fresh use of materials include Connie Cantor’s “Chrysalis.2,” a pen and paint composition of a flotilla of forms ranging from microbes to mandalas, and Yang Cai’s “Prayer,” a nude figure, gender undefined, bent in gratitude or supplication, carved into rock petroglyph-like, timeless in its evocation of the human condition.
Artists to watch include Shelle Barron whose trompe l’oeil “Study for Second Line” begs an expanded narrative — a series, a stage set, and Carolyn Frischling whose color-saturated “I Met You at the Corner” is eye-catching but the new media she employs (resin-coated Durst Lambda Fuji Crystal DP II print on aluminum panel) cries for formal inventiveness beyond Cubism/Surrealism. Similarly, the totemic pillars of Patti Menick’s “Sorrows” would be more forceful if the ghostly carved cement faces were enclosed in a material more fragile or organic than plastic boxes — for example, glass, metal-barred cages, missing or obscured panels on some.
Also exhibiting are many artists who consistently show well-conceived, handsomely crafted, visually appealing and/or challenging work. But with 550 members, the Associated should be able to pull together an annual that shakes up its host site and visitors alike.
At the Butler main you’ll find American art from 1719 to the present, recently added Americana/Folk Art Galleries and the Beecher Center south wing, which presents new media and electronic art (don’t miss artist Audrey Flack’s arresting maquette for her sculpture of Catherine of Braganza, a Portuguese princess turned British queen). An opening reception for the 79th National Midyear Exhibition, with juror Bob Godfrey, will be held from 1 to 3 p.m. Sunday (free but reservations required).
The Associated Annual continues through Sunday at 9350 E. Market St., Howland Township, Ohio 44484. Hours are 11 a.m. to 4 p.m. Wednesday through Sunday. The Midyear continues through Aug. 30 at 524 Wick Ave., Youngstown, 44502. Hours are 11 a.m. to 4 p.m. Tuesday through Saturday, noon to 4 p.m. Sunday. Admission to both buildings is free. Information and reservations: 1-330-743-1107 or www.butlerart.com.
Kutz and Zimbicki a SAMA
The annual gala at the Southern Alleghenies Museum of Art, Loretto, “African Odyssey,” will begin at 6 p.m. Saturday with games, entertainment and auctions. A solo exhibition by Bedford County artist Kevin Kutz comprising more than 50 works fills the main gallery, and Pittsburgher Kathleen Zimbicki is given a retrospective in the Margery Wolf-Kuhn Gallery.
“Reflections: Artwork by Kevin Kutz” continues through Oct. 10, and “Kathleen Cochran Zimbicki: 45 Years of Color, 1970-2015” through Dec. 5, at the museum on the Saint Francis University campus. Admission is free. Hours are 10 a.m. to 5 p.m. Tuesday through Friday and 1 to 5 p.m. Saturday. Information, including gala tickets ($175): 1-814-472-3920 or www.sama-art.org.
Post-Gazette art critic Mary Thomas: mthomas@post-gazette.com or 412-263-1925.
First Published: July 15, 2015, 4:00 a.m.