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![]() Author lauded 'Mockingbird' as a 'moving' film
Thursday, February 20, 2003 By Barbara Vancheri, Post-Gazette Staff Writer
As all good "Seinfeld" addicts know, George Costanza tried to read "Breakfast at Tiffany's" but just couldn't (or wouldn't) do it. So, he took the easy road: He went to the video store to rent the movie. It was checked out, but that didn't stop him. He simply showed up on the doorstep of the family watching it and plopped himself down on their couch.
While not suggesting you watch the movie "To Kill a Mockingbird" instead of reading the novel with the rest of your neighbors as part of the One Book, One Community project, the film is worthy of your time, too. You can see it for free today at 7 p.m. in Clapp Hall on the University of Pittsburgh campus.
A free panel discussion, " 'To Kill a Mockingbird' -- From Pulitzer Prize to Oscar," will start at 2 p.m. tomorrow in the William Pitt Union Assembly Room. Harish Saluja, director-writer of "The Journey," will moderate a talk with Pittsburgh filmmaker Tony Buba; Vernell Lillie, founder of the Kuntu Repertory Theatre; cinematographer John Rice; and City Paper critic Harry Kloman.
The 59-year-old Buba can't remember the first time he saw the film, suggesting, "It sort of blends into your own childhood. I don't know how it affects kids today, where they can't walk through the town" or while away the hours unsupervised. "Mockingbird" has much to recommend, Buba says: a restrained, dignified Gregory Peck, luxuriously long takes, amazing child performances -- "no false moments in them, no fast comebacks" -- along with properly sparse music and beautiful black-and-white photography.
Here are some interesting tidbits about the 1962 release, which landed at No. 34 on the American Film Institute's list of 100 greatest American movies.
She works two jobs, testing students for college placement and assisting an artist who specializes in restoring oil paintings. Badham said she retired at 13 because "by then, the industry had changed so dramatically. It was not the same industry I had joined. Scripts were getting more loose with their language, more sexually explicit, more violent."
Badham once told a reporter from The Virginian-Pilot in Norfolk she won the role because of one line to a talent scout. He said, "You're a very little girl for your age." She replied: "You'd be little, too, if you drank as much coffee as I do." Scout was nothing if not feisty and forthright.
It won for Peck, who triumphed over Burt Lancaster in "Birdman of Alcatraz," Jack Lemmon in "Days of Wine and Roses," Marcello Mastroianni in "Divorce -- Italian Style" and Peter O'Toole in "Lawrence of Arabia," as well as writer Horton Foote and the trio behind the art direction and set decoration.
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