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The entrance hall offers a view into the dining room.  Carleton Varney painted the original paneled walls chiffon yellow, a color custom-mixed by Fine Paints of Europe. He had a diamond pattern painted over the hardwood floors.
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Carleton Varney's Irish home: Shannongrove is a unique reflection of the designer

Patricia Sheridan / Post-Gazette

Carleton Varney's Irish home: Shannongrove is a unique reflection of the designer

LIMERICK, Ireland — Carleton Varney’s first glimpse of Shannongrove was a party.

The 20-year-old designer was very impressed with what was then the home of a German baron.

“John Huston was here and Burl Ives and Elizabeth Arden. It was a fascinating experience, never thinking I would own it one day,” he said.

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It’s been 35 years since Mr. Varney purchased the Irish manor done in what he calls Queen Anne Dutch Palladian style. Among the places he resides, the 15-bedroom estate is his favorite sanctuary, with 120 acres of flower and rose gardens and pasture rolling down to the Shannon River. Sheep, horses and cows share the property with him. He has an arrangement with the local agricultural college to tend the land.

The Cliffs of Moher on the Wild Atlantic Way in County Clare, Ireland.
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For Mr. Varney, Shannongrove is a place to relax and entertain. He celebrated the year 2000 with 200 of this closest friends at the house. He just completed converting the old stables into a 1,200-square-foot kitchen with room for lots more friends and family.

If good decorating ultimately reflects the interests of the homeowner, then Shannongrove is a masterpiece. It’s a mirror for all of Mr. Varney’s many passions, including old movies, board games, gardening and collectibles.


Carleton Varney sitting in the entrance hall to Shannongrove, his 18th century Irish estate. Patricia Sheridan/Post-Gazette

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He themes many of his bedrooms. He calls one the French room, another the Chinese room and his own bedroom features a headboard made from an old temple door.

One cherished object is a real Oscar statuette given to him by his friend, Joan Crawford, who was a client. A portrait of the actress by Margaret Keane that once hung in her Manhattan apartment now hangs in his library. Other stars whom Mr. Varney counts among his friends are Errol Flynn’s wife, Patrice Wymore, and Broadway’s Christine Ebersole. Both have stayed at Shannongrove,

In addition to its main staircase, the three-story house has back stairs so servants could come and go without disturbing the residents. The tiny original kitchen is a cozy room with white plaster walls and wood beams. It sits under the main staircase near Flo the housekeeper’s room. In the basement is a re-creation of an Irish pub — yet another place to entertain.

One wing of the building, the former granary, has a cathedral ceiling and has become a family room filled with art and movie posters, board games and tartan carpeting. There is even some original furniture from his mentor, Dorothy Draper, that came from the lobby of the Fairmont Hotel in San Francisco. Mr. Varney’s son saved it from the dust heap.

“I sent Sebastian over to buy it all when they were wrecking it,” he said.

Patricia Sheridan: psheridan@post-gazette.com, 412-263-2613, Twitter: @pasheridan.

 

 

First Published: February 28, 2017, 10:46 p.m.

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The entrance hall offers a view into the dining room. Carleton Varney painted the original paneled walls chiffon yellow, a color custom-mixed by Fine Paints of Europe. He had a diamond pattern painted over the hardwood floors.  (Patricia Sheridan / Post-Gazette)
The back of Shannongrove, the 18th-century Irish manor house owned by American designer Carleton Varney. This side faces the Shannon River and acres of pasture land.  (Patricia Sheridan / Post-Gazette)
A collection of Staffordshire dogs adorns the mantel in the living room. Mr. Varney has been enamored with the dogs for decades. He used them on the bar at Dromoland Castle, one of his early Irish projects. While the castle has changed ownership and has been redone, the bar and the dogs remain.  (Patricia Sheridan / Post-Gazette)
A window seat in the living room of Shannongrove House is adorned with a sailboat and various other knicknacks. ​credit Patricia Sheridan POST-GAZETTE PRINT ONLINE AND DISTINCTION ONLY. NO ONLINE USE OR THIRD PARTY PRINT USE.  (Patricia Sheridan)
American designer Carleton Varney in the cozy, old ground floor level kitchen of Shannongrove House. He has since completed an addition which is the new kitchen and entertaining area. credit Patricia Sheridan POST-GAZETTE PRINT ONLINE AND DISTINCTION ONLY. NO ONLINE USE OR THIRD PARTY PRINT USE.  (Patricia Sheridan)
Fresh hydrangea blooms from Shannongrove's gardens brighten up a space near a window nook, one of the many that offer a cozy place to curl up with a good book.  (Patricia Sheridan / Post-Gazette)
The formal drawing room at Shannongrove showcases Mr. Varney's love of mixing and melding styles and patterns into a comfortable living space with books and his collections of items, some nostalgic, some precious, some just fun.  (Patricia Sheridan / Post-Gazette)
A Murano glass chandelier hangs in the dining room. The walls are a painted mural of Shannongrove and the land around it. Italian carved shells adorn the tops of the dining room chairs. The shell is a favorite motif of designer Carleton Varney. ​credit Patricia Sheridan POST-GAZETTE PRINT ONLINE AND DISTINCTION ONLY. NO ONLINE USE OR THIRD PARTY PRINT USE.  (Patricia Sheridan)
A third-floor guest bedroom.  (Patricia Sheridan / Post-Gazette)
The paneled library is painted Carleton Varney's favorite color, a dark hunter green. The portrait of actress Joan Crawford once hung in her New York apartment.  (Patricia Sheridan / Post-Gazette)
The carpeting on the main staircase was designed specifically for Shannongrove by Mr. Varney and made in Ireland at Connemara Carpets. They company also has created the carpeting for The Greenbrier and other hotels in the United States.  (Patricia Sheridan)
On the first landing are portraits of designer Carleton Varney's sons Nicholas and Sebastian along with a painting of Scotsman Andrew Connon, a gift from his late friend, Elsie Lumsden. "We worked on many European projects together," Mr. Varney said. There is also a framed sporran, the pouch worn with Highland kilts.  (Patricia Sheridan / Post-Gazette)
Patricia Sheridan / Post-Gazette
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