Artist's eclectic space on the North Side combines found art, plants and her vision
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Rose Clancy in her GardenLab@516 project at 516 Sampsonia Way in the Mexican War Streets. -
This plaster bust, created by Rose Clancy's mother while she was in high school, is being transformed as rain flows into the pots above that contain black walnuts and then drizzles an "aging" stain onto the artwork. -
"The Collection Box" contains found objects that Ms. Clancy discovered while clearing the lot -
Artist Rose Clancy with a sculpture she's creating using young living tangerine trees.
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Never overlook the potential of a small lot.
Pittsburgh artist Rose Clancy's 22-by 90-foot space in the North Side's Mexican War Streets neighborhood is much more than a garden. It's also an art installation, autobiography, environmental statement, archaeological dig and strategy for building community.
GardenLab@516 began humbly but, as gardens do, it grew. Ms. Clancy had purchased a dozen past-their-prime white baking potatoes that were beginning to sprout in a supermarket to conduct growth experiments on. When they outlasted the original project, she decided they deserved to continue.
"I admired the potatoes' will to survive and go to the smallest bit of light and to grow," Ms. Clancy said.
She asked Mattress Factory museum co-directors Michael Olijnyk and Barbara Luderowski whether there was a spot among the Sampsonia Way properties adjacent to the North Side museum for the plants, and she was offered a vacant lot next to an empty home fronted by a long-term Mattress Factory-sponsored installation by artist Ruth Stanford, "In the Dwelling-House."
The property at 516 Sampsonia was filled with debris tossed over the fence through the years, but that didn't deter Ms. Clancy. In April, she began cleaning it up and carried several bags of garbage out. The rest she turned into planters and sculpture.
The site is quirky and personal, with its own brand of surface beauty underlain with metaphor. It has also become an active part of the neighborhood.
Ms. Clancy's late father, Thomas, was a true blue Irishman from County Galway, who "grew potatoes as a crop for his family. [As a child] I ate a ton of potatoes," Ms. Clancy said. So the garden is in part a tribute to him.
Her late mother, Ruth, who Ms. Clancy said was an excellent gardener, is also present in the form of a plaster bust she sculpted in high school but never finished.
"She never said what she had to do to finish it," so Ms. Clancy is doing so by "aging it." With fall rains, dark liquid leached from black walnuts found in the lot began to transform the white face, staining it.
A project comprising a line of small tangerine trees growing through a barn-wood plank will conclude with the roots forever separated, referencing the artist and her seven siblings who "grew as siblings together but our roots were not allowed to mingle."
First Published October 16, 2010 12:00 am
