2005 Best Dance: Ralph Lemon
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Move over, Chris Rawson -- more than half of this year's Top Ten in dance had an unmistakable theatrical flair. Does this mean dance is riding Broadway's coattails toward more dramatic productions? If that's the case, bring it on, for this year's performances had plenty of emotional baggage that provoked thoughtful discussion and touched an occasional nerve.
1. RALPH LEMON
African American Cultural Center, Byham Theater, March 19
It took Ralph Lemon 10 years to formulate "Come Home Charley Patton." Based on the true story of Patton's lynching in Minnesota near Lemon's home, it wove a web of political and sociological intrigue that incorporated video, cartoons, spoken text and social dancing. It was a performance that found truth and honesty in the complexity of racial issues.
2. ALONZO KING'S LINES BALLET
Pittsburgh Dance Council, Byham, Oct. 1
Alonzo King has always had cool moves, but he opened the Dance Council season with a program that imposed intergalactic undertones on a scintillating dance vocabulary -- abstract dance at its finest.
3. PITTSBURGH BALLET THEATRE, 'A TRIBUTE TO PAUL SIMON'
Benedum Center, March 10
Desmond Richardson and Derek Deane tapped both the rhythmic landscape and sophisticated lyrics of this rock legend, enhanced by Michael Korsch's lighting design. And PBT's dancers dug in their heels for a superb night of dance.
4. SAVION GLOVER, 'IMPROVOGRAPHY II'
PDC, Byham, April 15
Glover is an artist at the peak of his tap powers, the likes of which we have never seen. Perhaps he went on at length in a program primarily based on his considerable improvisational skills, but what a ride it was.
5. DANCE ALLOY THEATER, 'THE CIRCUS OF TIME'
Kelly Strayhorn Theater, Dec. 2
It was a seesaw of a performance, in which Claire Porter's multi-generational cast frolicked in "Time & Again" and Beth Corning put together a memorable piece in "Selective Memory." Porter's comic dancelogue, "Fund Raiser," served as the fulcrum.
First Published December 29, 2005 12:00 am
