
Family- and low-budget-Christian film specialist Michael Landon Jr. -- you-know-who's son -- lifts his game considerably in turning Margery Williams' children's classic "The Velveteen Rabbit" into a film.
Though it flirts with maudlin here and there, and the animation is hardly state of the art, the director of "The Last Sin Eater" and "Love's Abiding Joy" turns his loose adaptation of that story into a nice children's tear-jerker and a generally winning combination of live action and animation.
In the America of the early 1900s, Toby (Matthew Harbour) is a boy who has lost his mother and whose sad, humorless dad (Kevin Jubinville) has dropped him off with his own icy, society matron mom (Una Kay) to live.
Life with his fussy, imperious grandmother in her rural estate doesn't hold the promise of much fun for the kid. But Dad's injunction must be Toby's motto -- "No tears."
At least there's an attic to play in, and grandma's permission to play there. That becomes Toby's escape.
And when he finds a stuffed bunny, a rocking horse and a wooden goose, the boy slips into the world his dad once knew, a room transformed by his imagination.
All it takes is a tear and the toys are transported into an animated, magical alternate setting where the bunny, the goose (voiced by Oscar winner Ellen Burstyn) and horse (Tom Skerritt, funny) chat and pass along life lessons to the boy.
"Everything that's real was imagined first," the rabbit (Chandler Wakefield) teaches.
Horse knows the legend of the toys that can become real if their owners believe in them fervently enough.
Of course kids outgrow their toys before that belief ever magically transforms their favorite playthings.
But a horse can dream. And so can a wooden goose with an eye for the metaphor at the heart of this tale:
"Love is what makes us real."