The upcoming book "Billion-Dollar Kiss: The Kiss that Saved 'Dawson's Creek' and Other Adventures in TV Writing" ($27, Gotham Books) will likely be much-discussed by TV insiders. It's not exactly a roman-a-clef -- author Jeffrey Stepakoff rarely names names in his memoir about life as a writer for prime-time TV shows, including "Dawson's Creek," "Hyperion Bay" and "Major Dad" -- but he does offer some much-needed insight on the TV creation process.
![]() Book jacket courtesy Gotham Books "Kiss" goes behind the scenes of the TV business to explore the role of the writer in the creative process. |
The anecdote comes as Stepakoff recounts Litvack's "guidance" of a couple of shows during his tenure as a WB executive. In this instance, Litvack did not cotton to a story pitched for Williams' character, cutting off a writer making the pitch with, "I don't care about that chipmunk-cheeked [see above]!"
That a Hollywood executive would be profane comes as no surprise, but to be that profane in a work environment is likely to get folks talking.
I'll be writing more about Stepakoff's insights about the process of writing for prime-time television in an upcoming column.