Movie review: 'The Purge: Anarchy' releases the beast on the streets of Los Angeles
'The Purge: Anarchy' releases the beast on streets of LA
July 17, 2014 12:00 AM
Justin Lubin/ Universal Pictures
The cast of "The Purge: Anarchy" includes, from left, Frank Grillo, Zoe Soul, Carmen Ejogo, Kiele Sanchez and Zach Gilford.
By Barbara Vancheri / Pittsburgh Post-Gazette
"The Purge: Anarchy" is about as subtle as a sledgehammer. And, often, as effective.
The loose sequel to "The Purge" is set in March 2023 at a time when unemployment in America is 5 percent and crime is virtually nonexistent, unless you count the purge. It's a 12-hour period once a year in which crime, including murder, is legal, and police, fire and medical responders stand down.
The first movie took place in a gated community where a family that could afford an expensive security system thought it would be immune to violence -- but, of course, wasn't. This time around, the story has been literally opened up as five people struggle to survive on the streets of downtown Los Angeles.
'The Purge: Anarchy' movie trailer
A couple are driving home to their kids when their car runs out of gas just as the Purge commences.
A struggling waitress and her daughter (Carmen Ejogo and Zoe Soul) are physically dragged from their apartment, while the car belonging to a young married couple (Zach Gilford and Kiele Sanchez) conks out after being sabotaged. They end up on the run with a well-armed stranger (Frank Grillo) who is prepared to purge and avenge the loss of his young son.
The divide between rich and poor is even more exaggerated this time, as a revolutionary (Michael K. Williams) takes to the Web to puncture the babble and bubble of the "new founding fathers." The purge is about money, he rails.
"Who dies tonight? The poor."
Writer-director James DeMonaco's sequel is violent, speaks to the worst in most people and treats wealth as reason for caricature (complete with racial and religious overtones) and license to treat humans as prey.
Rating: R for strong disturbing violence, and for language.
But it lets Mr. Grillo, an actor who often plays tough guys, bring a convincing no-nonsense grittiness to his character and turns the second largest city in the country into a nearly deserted location with an end of the world vibe.
The original and sequel both benefit from dehumanizing, disturbing masks that grant some anonymity to the lawless wielding guns, blades or flame throwers. Yes, people are set ablaze, and so are ideas about what people would or could do, if given the chance to -- as they say during this sixth annual purge -- "release the beast," including in Pittsburgh, which gets a brief, sinister shoutout.
Guess "The Kill Point," which Mr. DeMonaco wrote and produced, just keeps on giving.
Movie editor Barbara Vancheri: firstname.lastname@example.org or 412-263-1632. Read her blog: www.post-gazette.com/madaboutmovies.
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